![]() When you don't have a lot of screen time to devote to this, he better be charming right off the gate. ![]() I think we should pick Trevor because he was opposite of Hardin." And she agreed with that. I said to Anna, "I can't do both in a 95-minute film. The initial conversations with Trevor were more like going back to the book and knowing that she had two different love triangles going on in the second book. What kind of conversations did you have with Anna about whether to lean into that a more? Why did you decide not to? You have to please yourself at first.Ī new character comes into the picture in Trevor, who was meant to be a crucial third point in the love triangle. ![]() I'm glad I get to experience this once in my career where you have this loyal fanbase, where you can't please everybody. It's amazing and mind-blowing that these characters have elicited such a passionate response. It's more about this is a passionate fanbase and we can have an interesting conversation.įans are feel very connected to Hardin and Tessa, and their love story. You could put me on the stand and I'll defend my reasons of why I made the choices I made." This is kind of an interesting experiment it's not about trolling. There are people who are like, "You made it too funny." And I said, "You know what? Let's have a tribunal in a few weeks. Having directed Pretty Little Liars, the interaction can help service it if you use it correctly. I'm not at the start in my career, you know? It's not like if I screw this up, it's over. I have teenage daughters. It's fun to connect with that peer group and try and tell this story. You know, I didn't because I took it head on because I'm also 54. Much more action and intense, where Alien is beautiful and poetic and brings you into the world where I was kind of like, "Damn, damn, damn, damn, damn," you know? I was like, I'm going to go out on a limb here and just giving my own interpretation of this story, knowing that the threads would be the actors and the score. Aliens is a sequel, but it is a completely different movie. That's the best comparison I could always come up with. I didn't stay true to the tone. I kind of looked at it like there's Alien and Aliens. When you said you liked the first movie, what did you think worked? What did you want to bring into the second movie? I said, "Look, I'm going to be as faithful to the book as possible," because I got a sense of the fandom and how important it was for them. I started diving in with the script and diving in with the book and I promised Anna. I liked the first movie and I liked the director, but I wanted to give a completely different experience. And I was like, "Well, I can do that." I wanted it to be a bit of an emotional roller coaster. They were telling me how they would like the second film to be more like Cruel Intentions, is basically what they said. So anytime I'm done with something, I'm like, "I want to do something different." I was editing this movie and my agent was like, "Oh, you should check out this book." I knew the producer, Jennifer Gibgot, so I watched the first movie and I read the book and I sat down with her and Anna Todd. I haven't gone back to the tone of Cruel Intentions in a while, so I was looking for something like that. I literally just finished making this very sweet rom-com for Netflix. Roger Kumble: I never did a sequel before. But back to the sequel! ET recently hopped on the phone with Kumble, who broke down his approach to the latest movie, how he balanced satisfying the fandom's wishes with taking creative liberties as a filmmaker, introducing another love interest for Tessa and that cliffhanger ending.ĮT: What drew you to the After franchise? With filming on the third and fourth movies already underway in Europe, it's only a matter of time before the answers to all your looming questions will be served on a silver platter. Like, a lot. But the film - which abandoned the dark, brooding tone of the first and adopted a lighter, more subversive vibe, courtesy of Cruel Intentionsdirector Roger Kumble - had one final surprise in store for loyal fans of Anna Todd's best-selling novels: Tessa's estranged father is back in the picture. The After sequel, After We Collided, ended with the young couple reuniting and giving their rocky romance another shot, following a love triangle that never truly materialized with Tessa's Vance Publishing colleague, Trevor ( Dylan Sprouse), aka the anti-Hardin demons from Hardin's traumatic childhood with an abusive father and a lot of R-rated sex.
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